COURSE SYLLABUS
Class Location: MC 204
& 209B Meeting Time(s): T/TH
Final Exam: tba
Instructor: Marty Wheeler
Contacts: Assistant =
For Updated
Syllabus Schedule and Study Guides visit: www.martywheeler.com/belmont/index.htm
COURSE DESCRIPTION:
A study of music
publishing. The course deals with
contracts, music licensing, performance rights organizations, catalog
development, catalog acquisition, sub-publishing, internet revenues, new
technologies relating to songs and other activities conducted by music
publishers.
COURSE OBJECTIVES:
As a result of
this course, the student:
1.
Should be able
to explain those activities conducted by the music publisher including catalog
administration, contract negotiation, royalty accounting, song promotion,
mechanical, synchronization, and print licensing and foreign sub-publishing.
2.
Should have a
good understanding of the Performing Rights Organizations and their role in the
music publishing industry.
3.
Should be able
to express the major tenets of key publishing contracts including exclusive and
single song contracts, co-publishing and administration from the perspective of
the Music Publisher, the non-artist songwriter and the artist songwriter.
4.
Should have a
good understanding of the latest copyright issues and how it relates to the
Music Publisher and the Songwriter.
GOALS OF
THE
The following objectives will be applied toward
course completion:
·
To provide a
personalized, career-oriented and practical education that emphasizes
leadership, innovation, private enterprise, and entrepreneurship.
·
To equip students with the tools to think critically,
communicate effectively, accept responsibility, make successful decisions, and
prosper in diverse work environments.
·
To emphasize quality classroom instruction within the
parameters of ethical Christian principles.
As members of the
“I will not give or receive aid during
examinations; I will not give or receive false or impermissible aid in course
work, in the preparation of reports, or in any other type of work that is to be
used by the instructor as the basis of my grade; I will not engage in any form
of academic fraud. Furthermore, I will uphold my responsibility to see to it
that others abide by the spirit and letter of this Honor Pledge.”
COURSE REQUIREMENTS:
1. Attendance: As per the current Undergraduate
Bulletin. I am very strict on this. If you
miss more than the allowed amount – You WILL Fail this class.
2. Materials: Music, Money and Success by Jeffrey
& Todd Brabec
3. Participation and Prepared assignments:
Research Reports: Each student will submit 3 Music
Publishing Research Reports on the dates stated in the syllabus under Class
Schedule. Each report must include one
article relating to some aspect of music publishing stapled to a
one-page typed analysis of the article written by the student. Suggested print sources include Billboard, Radio & Records, Music
Row, CCM Update, the Tennessean,
1)
MUST be typed and at least one page (single or double spaced).
1)
MUST include your name.
2)
MUST be stapled. (No bending of corners or paper clips).
3)
MUST include a copy of the article. I
need a copy of the article, NOT a web link.
4)
MUST be turned in at class – No e-mailed papers will be accepted.
5)
MUST NOT be LATE. I will deduct at
least 20 points
These
reports may be discussed in class
4. Testing:
3
tests will be given in the class on the dates stated under class schedule. NO MAKE UP TESTS WILL BE GIVEN.
The Final Exam
will be comprehensive.
5. Basis of grade evaluation: Grading scale as per the current Undergraduate
Bulletin. Participation credits are
listed below:
%
of Grade
3
Research Papers (5% each) 15%
Test
#1 20%
Mid
Term 30%
Final 35%
TOTAL 100%
Grading scale:
97-100=A+, 93-96=A, 90-92=A-, 87-89=B+, 83-86=B, 80-82=B-, 76-79=C+,
73-76=C, 70-72=C-, 67-69=D+, 63-66=D, 60-62=D-, 0-59=F
For Updated Syllabus Schedule and Study Guides
visit: www.martywheeler.com/belmont/index.htm
Class Schedule:
Thu 01/12 Introduction –
Market Analysis
Tue 01/17 Music Publishing
History
Thu 01/19 Publishing
functions / Income Sources -Read
pages 1-11
Tue 01/24 Income Sources /
Mechanical Calculations -Read
pages 28-52
Thu 01/26 Mechanical
Royalties -Research # 1 Due
Tue 01/31 Copyright
Overview -Read
Chapter 11
Thu 02/02 TBA
Tue 02/07 Great Songs /
Listening -Bring a great song!
Thu 02/09 Copyright
Overview / Controlled Comp. &
Calculations
Tue 02/14 Test 1 - (Covers Mechanical Calculations
Only)
Thu 02/16 Deal
Memo’s -Read
pages 13-28
Tue 02/21 Contracts
Thu 02/23 Contracts – Review for Mid Term
Tue 02/28 Mid Term
Thu 03/02 Intro
to PRO’s / ASCAP ascap.com
Tue 03/07 SPRING
BREAK – NO CLASS
Thu 03/09 SPRING
BREAK – NO CLASS
Tue 03/14
Thu 03/16 tba
Tue 03/21 tba
Thu 03/23 Licensing
(Mechanicals & HFA) -
Read Chap. 4
Tue 03/28 Licensing (Synch
– Movies/Commercials/TV) -Read Chap. 5
& 6
Thu 03/30 Movie Song Casting -Bring Music for scene
Tue 04/04 tba
Thu 04/06 Sub-Publishing -Read Chapter 9
Tue 04/11 Internet / Streaming / Downloading
Thu 04/13 EASTER BREAK – NO CLASS
Tue 04/18 Catalog Acquisitions -Read Chapter 10
Thu 04/20 TBA – (Songwriters) -Research #3 Due
Tue 04/25 Song Demos / Song Plugging / Creative
Thu 04/27 tba
Tue 05/02 Review for exam
TBA Final Exam