COURSE SYLLABUS
Course Title: Entertainment Career Development
Course #: MBU 3360.01 Credits: 3 Hours Spring
2006
Class Location: MC204
Meeting Times: TR
Instructor: Sarita M. Stewart
Phone: 615-661-0271 Email: sarita@fidumanagement.com
Course description: A study of Entertainment Career Development
from an artist’s point of view. This
involves management, education, promotion and financial considerations as they
concern the professional entertainer.
Various unions, guilds and associations are studied.
Course objectives: To provide students who wish to be
entertainers an overview of the music industry and practices that will help
them become successful performers with an understanding of the business aspects
of the music industry.
GOALS OF THE
·
To provide a
personalized, career-oriented and practical education that emphasizes
leadership, innovation, private enterprise and entrepreneurship.
·
To equip students
with the tools to think critically and communicate effectively, accept
responsibility, make successful decisions and prosper in diverse work environments.
·
To emphasize
quality classroom instruction within the parameters of ethical Christian
principals.
Honor Code: As a member of the
“I will not give or receive
aid during examinations. I will not give
or receive false or impermissible aid in course work in the preparations of
reports or in any other type of work that is to be used by the instructor as
the basis of my grade. I will not engage
in any type of academic fraud.
Furthermore, I will uphold my responsibility to see that others abide by
the spirit and honor of this Honor Code.
Course Requirements:
“How
To Be Your Own Booking Agent”
(Goldstein, New Music Times) Required
“Making
A Living In Your Local Music Market” (Weissman, Hal
Leonard) Optional
Students
Entertainment Icon
Paper/Presentation: The goal of each
group
Entertainment Career
Development Final paper: The goal of
this individualized paper to focus on a specific area of career development
(touring, publishing, publicity, recording, etc.). Students can write the paper on their own
career goals, or that of another artist. Due 5/2.
4. TESTING
The midterm
Additional
The Professor may choose to
assign additional reading. Articles may
be placed on reserve in the Library or web articles assigned and each student
will be responsible for the reading.
Test questions may be taken from the assigned reading.
5. Basis of Grade Evaluation:
Grading Scale:
(97–100) = A+ (87-89) = B+ (77-79) = C+ (67-69) = D+
(93– 96) = A (83-86) = B (73-76) = C (63-66) = D
(92–90) = A-
(80-82) = B- (70-72) = C- (60-62) = D-
Grading:
Class Participation 5%
Team Project #1 10%
Team Project #2 10%
Midterm 10%
Group ICON Presentation 15%
Group ICON Paper 25%
Final ECD Paper 25%
Total Final Grade: 100%
Week Date Topics Reading
Assignment
1 1/12 Class
Introduction Foreword/Introduction
Acknowledgements
2 1/17 – 1/19 10
Rules of a Successful Indie Musician How To Use This Book
NO
JANUARY 19 (Suggested activity – Group get-togethers)
Week Date Topics Reading
Assignment
3 1/24 – 1/26 Making
a Living as a Musician Chapters 1, 2, 3, 12
Developing Your
Talent 23
4 1/31– 2/2 Packaging Your Talent Chapters
5, 13, 14, 15
5 2/7 – 2/9 Booking/Touring
Chapters
4, 6, 7, 8, 9
10,
11 (optional)
Team
Project #1 due 2/9
6 2/14 – 2/16 Songwriting/Music
Publishing Supplement
7 2/21 – 2/23 Performing
Rights Organizations Supplement
MIDTERM – 2/23
8 2/28 – 3/2 Film/TV
Opportunities Chapter
16
9 3/7 – 3/9 SPRING
BREAK
10 3/14 – 3/16 Unions
and Guilds Chapter
7
Producing A Record
11 3/21 – 3/23 Marketing Chapter
18
12 3/28 – 3/30 Record
Distribution Chapter 17,
New Technologies Team Project #2
due 3/30
13 4/4 – 4/6 Management/Agents/Attorneys Chapter
19, 20, 21, 22
14 4/11 – 4/13 Sponsorships Chapters
12
Easter Break – April 13
14 4/18 – 4/20 Group
Presentations Epilogue
15 4/25 – 4/27 Group
Presentations
16 5/2 Group
Presentations Last
Day of Class
Entertainment
Career Development Papers Due
ACCOMODATION OF
DISABILITIES
In compliance with Section
504 of the Rehabilitation Act and the Americans with Disabilities Act,