Course # / Title:	30337 AET 3190.50 Audio Engineering II
Course Credit Hours:	3
Semester:	Summer 2008
Instructor:	Billy W. Prince, A.S.E.E +
Instructor Contacts:	Ofc: 460-5553 email: princeb@mail.belmont.edu
Instructor Office Hours:	Mon-Thu 8am-9:30am , 11am – 5:30pm
Class Location:	MBC B-07 REM Studios
Meeting Time(s):	Class: M/W 9:30am 11:00 am / Labs: T/R 9:30am – 10:50am
Final Exam:	Final Exam Tue Aug 5, 9:30 AM – 11:30 am

Course Description:

AET 3190. Audio Engineering II (3). Prerequisite: AET 3090 and permission of instructor. A continuation of AET 3090, this course is an advanced study of the technical characteristics and performance of each component of the recording studio. Topics include advanced studio electronics and signal flow, computer-based digital recording and editing, automated console operations, condenser microphones, spatial signal processing, and the role of the audio engineer. The development of audio perception skills for recording engineers is emphasized. Lab hours required. ($30.00 course fee)
Gen. Ed. Designation: EL (I – Internships, Clinicals, Practica).

Course Outcomes: At the end of this course, the student will be able to:

ú explain the function of specific components of the NEVE (Studio A), SSL (Studio B), and Toft (Studio C) consoles

ú associate the operation, location, and relationship of similar component functions between consoles

ú demonstrate satisfactory application of each console’s patchbay

ú demonstrate signal flow between multiple locations using the central patchbay tie lines

ú differentiate the location of specific studio A, B and C equipment in the central machine room

ú explain the need for, and demonstrate a satisfactory calibration of the Studer 827 analog tape machine

ú apply advanced miking techniques using condenser microphones

ú demonstrate operation of the Studer 827 analog tape machine, RADAR hard disk recorder, and ProTools HD system

ú perform basic audio synchronization

ú conduct an analog to digital, and digital to digital transfer of tracks

ú apply basic automation procedures using Flying Faders on the Neve console (Studio A), and Ultimation on the SSL console (Studio B)

ú demonstrate basic and advanced signal processing (spectrum and dynamic), through use of consoles and external devices available

ú demonstrate basic knowledge and use of delay, reverb, and spacial effects through use of hardware based external devices available

ú explore advanced mixing through the introduction of sound localization, spectrum, dynamic, and spatial processing techniques

ú document and illustrate recording session information

ú learn and apply a technical language for use within the music business industry

ú assess quality of audio and recording techniques using critical listening

ú create two recording projects confirming the use of gained knowledge, required individual and group experiences, and synthesis of quality audio recording principles

Performance Tasks: During this course, the student will:

ú locate respective audio recorders, CUE amps, console power supplies, automation fader motors, ELCO wall panel connectors, computers and audio interfaces for Studio A, B & C in the central machine room

ú know studio session procedures for securing microphones, stands, and supplies needed

ú dramatize session setups in Studio A (large), and Studio B (small)

ú label console channel strips identifying tracks and EFX with auxiliary assignments used

ú satisfactorily connect multi-track audio recorders using ELCO multi-pin harnesses

ú operate channel, monitor, and master section components of the NEVE, SSL, and TOFT consoles demonstrating advanced signal flow comprehension and application

ú establish CUE sends using the NEVE (Studio A), SSL (Studio B), and Toft (Studio C) consoles monitoring with headphones and at the console

• recognize the need to zero a console after each use

ú know, repeat, and perform an accurate tape alignment calibration of the Studer 827 24 track tape machine including setting proper bias for type of tape used

ú conduct (6) recording sessions during the semester; (2) each: tracking, overdub, and mix for two projects implementing satisfactory operation of equipment used to date

ú express an accurate, advanced technical language

• interpret related, supplemental articles and web-linked assigned reading
• discriminate basic microphone characteristics, practice proper mic placement, and critique out-of-phase stereo miking techniques
• apply a minimum of one different stereo miking technique using condenser microphones in each project; coincident, near-coincident, spaced, Mid-Side, or Blumlein

ú satisfactorily operate multi-track audio recorders and autolocators for the:

o Studer 827 24 track analog tape machine

o RADAR 24 track digital recorder

ú demonstrate ProTools as a multi-track tape machine by:

o creating session files with tracks labeled (new or imported)

o identifying sample and bit rate of audio files in folder

o transferring tracks/files between formats

o recording, managing, and creating backup files

o transferring files over the network

ú perform (2) project transfers; analog to digital, and digital to digital, demonstrating use of:

o ELCO transfer cabling

o Network applications

o Wordclock

o SMPTE

ú practice basic automation using Flying Faders on the Neve console (Studio A), and Ultimation on the SSL console (Studio B)

ú understand and apply equalization techniques using console parameters (pre and post tape) and available outboard equipment

ú demonstrate satisfactory parameter settings and function of a compressor, limiter, gate, and expander by use of console DYN section and available outboard equipment

ú demonstrate advanced dynamic processing by creating external keying, ducking, and de-essing by use of console KEY/GATE and available outboard equipment

ú determine the accurate tempo of a song and calculate delay times in milliseconds

ú investigate the need to change basic parameter settings in reverb, delay, and special effect hardware found in the studio

ú demonstrate proper level setting of an effect send and return

ú create stereo mixes demonstrating the use of:

o the HHB CD-R Burner

o the Alesis Masterlink recorder

o mixing to ProTools and/or Nuendo software

• create a balanced mix from an unfamiliar pre-recorded 24 track project utilizing level setting, panning, equalization, advanced compression and gating techniques, onboard and outboard EFX processing, calculated delays, and automation in an assigned team

ú plan, organize, and submit approved documentation in (2) final project reports satisfactorily defining accurate recall of all session procedures

ú perform (2) practical examinations certifying accrued knowledge and skill level achieved

Assessment Tools: During this course, outcomes mastery will be evaluated by:

• Performance of Lab Assignments,
• Homework & Reading Assignments,
• Class Project Documentation and Recording Procedure,
• Quizzes, (Multiple Choice and Short answer)
• Assisting sessions,
• Mid-Term and Final Written & Practical Exams

Testing & Assignments:

Item	Percent (%)
1. Quizzes (2) (un-announced)	6
2. Worksheets	6
3. Mid Term Exam Written & Practical 15
4. Recording projects (2) 10% each (Grade based on technical aspects of the project, not the music or musical performance)	20
5. Analog Tracking Document Check	3
6. Labs	13
7. Assistant Sessions	15
8. Final Exam Written & Practical Exam	22

Course & Classroom Policies:

Classroom behavior, and projects produced must reflect the values of Belmont University. Projects consisting of obscene or profane lyric content will be disqualified.

Attendance & Participation: Class attendance follows university policy as stated in the current Undergraduate Bulletin. Class participation is expected; attendance and absence will be noted.

http://www.belmont.edu/catalog/undergrad2006jun/apolicy/index.html

(You must be present to win!!)

You are expected to: show a sincere effort of co-operation, participation, and self application during this course of study; read assigned and recommended text and handouts; and fully complete ALL class, lab, homework, and project assignments.

Materials: 1) Current edition of the Audio Engineering II Workbook (New Frontier Publishing). 2) Audio in Media (7^th Ed.) by Stanley R. Alten (Wadsworth Publishing Co.). 3) Course handouts distributed in class and on class website (Blackboard). You are responsible for all information contained in the workbook and other readings assigned. Keeping a class notebook/binder and owning a three-hole puncher is highly recommended. 4) The following recording supplies are provided for you: a) 2-inch analog 24 track master tape b) (4) printable CD-R’s and c) hard disk space in studios A, B, & C. 5) You will need to provide: (a) (1) 3.5 inch 1.44 MB computer disk b) (1) DVD RAM disk for RADAR transfers ($7.00 from Mr. Prince) c) (2) blank CD-Rs for tracking mixes, and d) an external USB 2.0/firewire drive, or a USB flash drive for backups of your recording projects. Studio drives are periodically checked and cleaned. YOU are ultimately responsible for any lost files. Backup your material frequently. CDs are to be labeled using the Epson R200 printer and template(s) available on the desk lobby computer. Finally, you will need (2) «” binders and (2) boxes of clear sheet protectors for your project documentation reports.

Grade Evaluation: As per CEMB policy, the grade assignment scale for this course is:

Grade	Percent (GPA)
A	94 (4.0)
A-	90 (3.7)
B+	87 (3.3)
B	84 (3.0)
B-	80 (2.7)
C+	77 (2.3)
C	74 (2.0)
C-	70 (1.7)
Final grades below 70 % will not apply to the major.
D+	67
D	64
D-	60
F	< 60

Honor Code: It is the responsibility of each student to abide by the Belmont University Honor Code. “In affirmation of the Belmont University Statement of Values, I pledge that I will not give or receive aid during examinations; I will not give or receive false or impermissible aid in course work, in the preparation of reports, or in any other type of work that is to be used by the instructor as the basis of my grade; I will not engage in any form of academic fraud. Furthermore, I will uphold my responsibility to see to it that others abide by the spirit and letter of this Honor Pledge.”

Accommodation of Disabilities: In compliance with Section 504 of the Rehabilitation Act and the Americans with Disabilities Act, Belmont University will provide reasonable accommodation of all medically documented disabilities.  If you have a disability and would like the university to provide reasonable accommodations of the disability during this course, please notify the Office of the Dean of Students located in Beaman Student Life Center (460-6407) as soon as possible.

Class Schedule:

Meeting Topic

1 Jun 2	Class Introduction – Overview of Equipment in the R.E. Mulloy Student Studios – Studios A & B.
2 Jun 4	Intro to Neve Signal flow … I/O Module Homework assignment.. Lab Workbook
3 Jun 9	Neve Signal flow cont’d. Center section – Patch bay.. Console Status selector.
4 Jun 11	Condenser Microphones Patterns, Techniques, Blumlein Stereo Techniques, Decca Tree
5 Jun 16	Analog Calibration Quiz 1
6 Jun 18	Pro Tools – Session Setup, File management, Analog to Pro-Tools transfers (Tracking sessions this week)
7 Jun 23	Studio C – file transfers & overdubbing.. Mixing back to Pro-Tools (Overdub sessions for Pjt #1 This Week)
8 Jun 25	Mid-Term Exam / Practical
9 Jun 30	Dynamic Processing. Gates, Expanders, Compressors, Limiters. Keying, ducking, D-S-ing. Neve Dynamics VS outboard processors..
10 Jul 2	Neve Flying Fader Automation.. Setting up the mix .. The global master.. RSI, Touch Record, Lock Record, Automatch. Neve Recall
11 Jul 7	Quiz 2 RADAR Operations Various Dig. Formats, Nuendo
12 Jul 9	Project 1 due (Paperwork, Documentation, & Mix completed) SSL operations, signal flow
13 Jul 14	More SSL operations & Signal Flow. SSL Dynamics Processors.
14 Jul 16	Effects Processing . Plates Reverbs and Digital effects. Tape delay
15 Jul 21	SSL Ultimation ..Mixing Techniques
16 Jul 23	Class Mix Exercise
17 Jul 28	Project 2 due Listen to Projects in Class
18 Jul 30	Review for Final Exam
19 Aug 5	Final Written & Practical exam.

Audio Engineering Lab Schedule Tuesdays or Thursdays @ 9:30 AM

	LAB	SCHEDULE	CREDIT
1	Signal Flow Lab	Tue Jun 3	11 points
	Studio A	Thur Jun 5
2	Large Session Set-up	Tue Jun 10	11 points
		Thur Jun 12
3	Analog – Calibration	Tue Jun 17	11 points
		Thur Jun 19
4	Analog – Radar Transfers	Tue Jun 24	11 points
		Thur Jun 26
5	Advanced Dynamic Processing	Tue Jul 1	11 points
		Thur Jul 3
6
	NEVE Flying Faders	Tue Jul 8	11 points
	Studio A	Thur Jul 10

7
	SSL Signal Flow	Tue Jul 15	11 points
	Studio B Small setup	Thur Jul 17
8
	Dynamic & Effects Processing	Tue Jul 22	11 points
	Studios A / B	Thur Jul 24
9	SSL Ultimation	Tue Jul 29	11 points
	Studio B	Thur Jul 31