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Course # / Title: |
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Semester: |
Spring 2008 |
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Instructor: |
Clyde Philip Rolston, Ph.D. |
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Instructor Contacts: |
460-5436(O)
400-5372(C) rolstonc@mail.belmont.edu |
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Instructor Office Hours: |
TBA |
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Course Credit: |
3 |
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Class Location: |
MC 209B) |
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Meeting Time(s): |
11:00 – 12:15 T/R |
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Final Exam: |
Monday, May 5 at 11:00 a.m. |
Educational
Objectives of the Mike Curb College of Entertainment & Music Business: 1)
To provide a personalized, career-oriented
and practical education that emphasizes leadership, innovation, private
enterprise and entrepreneurship.
2) To equip students with the tools to
think critically, communicate effectively, accept responsibility, make
successful decisions, and prosper in diverse work environments.
3) To emphasize quality classroom
instruction within the parameters of ethical Christian principles.
Course Description: Prerequisites: MBU 1110, MKT 3210 or permission of instructor. A study of the movement of the recorded
and printed product from the studio to the ultimate consumer. Includes market
structure and analysis, distribution
patterns, promotional strategies, charts, airplay, pricing, and legal aspects. Gen.
Ed. Designation: EL (C – Community Based Research).
Learning Outcomes: After successfully completing this
course the student will have an in depth understanding of how recorded music is
marketed by record companies to the consumer. Both independent and major record
label systems will be discussed. The student will be able to create and present
a marketing plan for recorded music. This will be accomplished through
discussion, lecture, and the group project.
Course Outcomes: Students will
understand
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the
marketing functions that record companies provide to artists and consumers
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how
music, as an entertainment product, competes with other entertainment products
for the consumer’s dollars
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understand
how public relations, the Internet, radio, advertising, video and distribution
work together to move music from the studio to the consumer
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understand
the impact of the Internet and viral marketing on music marketing
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understand
how radio and retail and their corresponding charts interact
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understand
the economic model that drives radio and how that model impacts the music
played on radio
Students will be able to
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set up and execute basic marketing
research to determine consumer preference and target market characteristics
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classify and evaluate different pricing
strategies
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define and apply different public
relations techniques
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identify and locate resources for
executing the marketing plan
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evaluate advertising media for cost,
reach and effectiveness
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evaluate effective retail environments
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demonstrate an intermediate level of
business writing
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demonstrate an intermediate level of
public speaking
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create a basic marketing plan for a
recorded music project.
ú
Performance Criteria: Identify and describe basic marketing terms, functions
and concepts as they apply to marketing of music.
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Analyze
the retail environment of a particular music retailer or department and submit
a written report on the retailer’s use of marketing materials and support
provided by the labels.
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Conduct
a focus group or depth interviews for the client label and present a written
report of the results.
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Demonstrate
how the different marketing elements, including publicity, radio, Internet,
advertising, video and distribution, work together to successfully motivate the
consumer to purchase music by creating an effective marketing plan, using a
variety or sources of information.
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Demonstrate
an understanding of marketing inputs and their costs by creating a budget for
the marketing plan.
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Demonstrate
public speaking skills and marketing knowledge by presenting the marketing plan
to the client label.
Honor Code: It is the responsibility of each student to abide by the
Belmont University Honor Code. “In
affirmation of the Belmont University Statement of Values, I pledge that I will
not give or receive aid during examinations; I will not give or receive false
or impermissible aid in course work, in the preparation of reports, or in any
other type of work that is to be used by the instructor as the basis of my
grade; I will not engage in any form of academic fraud. Furthermore, I will
uphold my responsibility to see to it that others abide by the spirit and
letter of this Honor Pledge.”
Accommodation of Disabilities: In
compliance with Section 504 of the Rehabilitation Act and the Americans with
Disabilities Act, Belmont University will provide reasonable accommodation of
all medically documented disabilities. If you have a disability and would
like the university to provide reasonable accommodations of the disability
during this course, please notify the Office of the Dean of Students located in
Beaman Student Life Center (460-6407) as soon as possible.
Course Requirements:
A. Attendance: "Belmont University is committed
to the idea that regular class attendance is essential to successful scholastic
achievement. Absence is permitted only in cases of illness or other legitimate
causes. Attendance is checked from the first class meeting... When the number
of absences for any reason
exceeds four times the number of scheduled class meetings per week (that’s 8
classes for you), the student is involuntarily dropped from the course with a
grade of "WF". Appeal is to the Provost." - Belmont University
Catalog. Due to the nature of this class and the project you are expected to attend every class and every group meeting.
Role will be taken at each class. Tardiness
and leaving class early will reduce the quality of your learning and
your contribution to the group’s efforts and will be counted as an absence for the day. If you cannot
commit to attending every class and arriving on time you should consider taking
the course at a later date.
I.
INCENTIVE/DISINCENTIVE
PROGRAM: Students that miss two or
less classes will have two (2) percentage points added to their final
grade. For each additional class
missed your grade will be reduced by three percent (3%).
II.
Students
are expected to come to class prepared to participate. This preparation
includes having read any assigned materials and reflected on their relevance to
the class. I will not spend time in class repeating what you have already read
in the text. You are, of course,
responsible for and may be tested on all assigned readings whether they are
discussed in class or not.
B.
Materials: Texts: Required: Record Label
Marketing, Hutchison, Macy and
Allen, Focal Press; Why
We Buy: The Science of Shopping, Paco Underhill. Touchstone/ Simon & Schuster; Hit
Men, Fredrec Dannen. Random House/Vintage.
All three books are available through the campus bookstore. The Underhill
and Dannen books are available in paperback and can be ordered online for $3 to
$12.
Students must do in class assignments
(e.g. quizzes) on loose leaf paper. You may need both pencil and pen on exam
days. In addition, students may want to have a calculator. Each student is
required to obtain a working E-mail account no later than the second week of
class. [If you prefer to use an
outside e-mail provider you should arrange to have your Belmont e-mail account
forwarded to your preferred account.] I cannot be responsible for e-mails not
received due to spam filters, etc. It is your responsibility to check your
E-mail on a daily basis. You should also empty the trash of your Belmont
account on a regular basis – deleted emails sitting in the trash folder count
against your account’s capacity limits and may cause important emails to be
missed. These accounts will be used to exchange information regarding changes
in class schedules, deadlines, projects, exams, etc., as well as sending and
receiving quizzes and exams. Any
papers, quizzes, exams, sections of the project, over one page must be stapled
or they will not be accepted.
Therefore, I strongly recommend that you buy a stapler if you do not
already own one
C. Assignments: 1. Marketing Plan: I
will divide the class into groups according to the number of students and the
number of projects available. Each group will prepare a complete marketing plan for their client. This
will include an appropriate length, bound and printed document. Details of
strategies, plans, tactics, and budgets must be included. The primary
emphasis of this project is to come up with some CREATIVE MARKETING IDEAS. You must meet the demands of the
client and the class within the time constraints and budget given. You must
submit a copy of the printed marketing plan to me that is identical to the one
presented to the client. For GUIDELINES for the marketing plan go to http://campus.belmont.edu/rolstonc/marketing_plan.html. Additional information will be provided
throughout the semester.
A.
The Written Plan: The written plan will
be turned in by sections: Focus Group (100 points); Radio (10 points); Video
(10 points ); Advertising (10 points); Publicity (10 points); P.O.P and
Retailing (10 points); Internet (10 Points); and Completed Plan (200). Specific
deadlines are listed in the schedule below BUT ARE SUBJECT TO CHANGE. The more
complete and accurate the sub-section reports are the higher the grade assigned
and the better the feedback you will get. SAVE ALL GRADED MATERIALS! THEY MUST BE HANDED BACK IN WITH THE
REVISED VERSIONS!
♫
What a “GOOD” Section Should Look
Like: A “good” section to the
report must contain certain information.
Most of that information will vary depending on the topic. Here are some of the commonalities:
A Statement of
the Objective – What are you trying to achieve with
this part of the plan? Who are you
trying to reach? Ultimately, we
always want to generate sales of the CD, after all, we are the record company,
but there are intermediate goals, usually awareness or exposure that must
happen first.
Creativity – This is your real challenge – to come up with something
new, interesting or clever to bring attention to the artist and CD so that
consumers (music listeners) will “have to” own a copy. Much of what the industry does to market
a CD comes from cookie cutter templates. Doing those things is important, but
36,000 other CDs released this year will do the same thing. What is going to make yours stand out?
Organization – The section should have a heading, followed by the
objective, and then flow from there. Most groups, but not all, elect to end
each section with the budget information.
It is also important that the paper flow from section to section as
well. Avoid redundancy by referring
to information in previous sections when appropriate. Put long lists in appendices in the back
of the report.
Well Written – be sure not only to run spell check, but to actually READ
every word of every section. Spell
Czech does knot catch miss steaks all the thyme! Have several people read it and read it
aloud to each other to make sure it reads well. Papers with typographical errors or
poorly written papers will be returned with a grade of zero and will have to be
resubmitted the next class day with a grade reduction of ten percent (10%).
An Itemized Budget –
This may be the hardest information to obtain but it is vital that each idea
have a price tag attached to it.
Great ideas that cost more than they make should be eliminated unless
they can be justified for some other reason.
Weekly Reports
from the Group:
The group leader or their assignee must submit, by email, WEEKLY REPORTS
to the instructor on the group’s progress. Failure to submit reports will
reduce the group’s opportunity to receive feedback on their progress. Reports should also be used to
communicate problems or concerns with the group’s personal dynamics. Each
week that a report is late or missing the group will lose one point from their
final project grade.
B. Research
Phase: The first major step in developing your
marketing plan will be to conduct research in the form of either depth
interviews or a focus group. The purpose of the research is to determine
possible radio singles, identify strengths and weaknesses of your project, and
refine your target market and how they might best be reached. The best
marketing plan is of no use and doomed to failure if it is aimed at the wrong
target market or based on incorrect assumptions. The research will help
you understand how the consumer is likely to respond to your artist's
project. For more information on grading expectations and how to conduct
a focus group go to http://campus.belmont.edu/rolstonc/mktresearch.html. Possible points will be equally divided
between planning and execution of the research (50) and reporting the results
(50). This report is worth a total of 100 points.
C. Presentation of the Marketing Plan:
Before the last week of class your team must arrange to present the plan to the
client. This may involve traveling to their offices or reserving a room on
campus. This appointment must be at the mutual convenience of the client, the
instructor, and the group. Your presentation to the client must not
occur before you have given the
presentation to the class. Client presentations must be made no later than
3 days BEFORE the last scheduled final exam in order to receive a grade for the
class. ALL GROUP MEMBERS MUST ATTEND THE PRESENTATION. Any group member not
participating in either presentation will be given a grade of "0" for
that part of the project. DO NOT PLAN ON LEAVING TOWN BEFORE THE
PRESENTATION AND CLEAR YOUR WORK SCHEDULE! There will be a graded “dress
rehearsal" in class during the last week of classes. See http://campus.belmont.edu/rolstonc/presentation.html
for grading standards.
Both the "dress rehearsal" and
the presentation to the client will be graded (100 points each). After your in
class presentation I will give you a critique, suggesting ways I think your
presentation can be improved. A second grade will be given based on the
presentation to the client and your final presentation grade will be the total
of the two grades. PLEASE NOTE: The purpose of the in class presentation
is to correct any problems with the presentation BEFORE you make the
presentation to the client. To that end, expect some constructive criticism or
comments from the class and the instructor! Each presentation, in class and for
the client, will be graded on a 100-point scale and then added to determine the
final grade. Presentation grades will be based on both individual
and group performance.
D. Peer Evaluations: Each group member will evaluate the
contributions of every other member of that group to the project. The grade received
by the group on the written portion of the project will then be adjusted to
account for individual member’s peer evaluation. The form used for peer evaluations is
available at http://campus.belmont.edu/rolstonc/ You may want to
look at the form now so that you have a clear understanding of how your group
will be evaluating your contribution to the project.. If you give any group
member a grade of less than 80 you must justify that grade. Peer evaluations will be done at
mid-term and at the end of the semester.
The mid-term evaluations will be for informational purposes only and
will be compiled and sent to each group member so that they may make whatever
adjustments necessary to make a positive contribution to the group. Final peer evaluations will be turned in
when the group completes it presentation to the group and may be emailed to the
instructor. Your highest and lowest
evaluations will be dropped and the remaining scores averaged to determine the
percentage of the group’s grade that you will receive. Again, you must justify any grade less
than 80 and you should be willing to stand behind your evaluation.
2. P.O.P. Retail Analysis:
THIS IS AN INDIVIDUAL PROJECT! After you have read “Why We
Shop: The Science of Shopping” by Paco Underhill you must visit one a local
store that sells CDs, for example: Target; K-Mart; Wal-Mart; Grimey’s; or the
Sam Goody’s in Cool Springs Mall.
If you visit one of the mass merchandisers your report should focus on
the section of the store that sells CDs, not the entire store except to the
extent that it affects the sale of CDs.
After visiting the store, write a report on your experience from the
perspective of a retail consultant answering, at a minimum, the
following questions: (1) What did
you experience that made you want to shop or not shop there? (2) Were you drawn to any particular
part of the store (CD section) or any particular product? Why? (3) How could the store improve its
marketing efforts? (4) What should record companies learn from your experience
at the store? Are the labels spending their POP money wisely? You must demonstrate your understanding
of the terms and concepts from the Underhill text by applying them
appropriately to the store you visited. Those terms include, but are not limited
to:
RATE
You must
additionally observe, report, and make recommendations on the store’s use
of point of purchase materials as if you were a consultant for a record
label. You paper should be typed,
double spaced, with one inch margins all around. Be prepared to discuss your experience
in class. The POP project is worth 150 points.
D. Testing: (A) Exams: Two exams will
be given during the semester – a mid-term and a final during the scheduled exam
time. The tests will be worth 100 points each. You must take the final
exam in accordance with the final exam schedule (see "Important
Dates" above) at the assigned time and place, however you may petition the
instructor in advance, by email, to take your final exam with the other section
of the class. Please do not plan to leave for the semester before the final
exam.
(B) Quizzes: Five (5) or more quizzes of 10 points each will be
given during the semester. NO MAKE UP QUIZZES WILL BE GIVEN! However,
you will be permitted to drop your lowest quiz grade(s) WITH ONE EXCEPTION: THE
QUIZ ON THE BOOK “HIT MEN” CANNOT BE DROPPED. No more than 50 points may be
earned from quizzes. However, you may select the combination of quizzes
that gives you the highest point total.
♫
Quality Standards: All
work done outside of class must be typed on standard, white, 8.5 X 11
inch paper with one inch margins, and a font size of 12 for the main text. Larger fonts may be used for titles;
smaller fonts may be used when appropriate. Multiple page papers MUST BE
STAPLED or they will NOT BE ACCEPTED.
E. Basis of grade
evaluation: A= 100 - 93; A- = 92 - 90; B+= 89 - 87;
B=86 - 83; B- = 82 - 80; C+= 79 - 77; C=76 - 73; C- = 72 - 70 D+= 69 - 67; D=66
- 63; D- = 62 - 60; F= Below 60. Grades will NOT be curved.
Quizzes 50 pointsMid-term 100 pointsFinal 100 pointsPOP Project 150 pointsFocus Group Report 100 pointsProject - written 200 pointsProject - oral 200 points
TOTAL 900 points
F. General
Directions and Requirements: All
students should purchase or have access to the following:
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A stapler
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Microsoft Word
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Loose leaf
paper
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A calculator
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Microsoft Excel
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Microsoft PowerPoint.
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Pens and/or
Pencils
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An email
account
ALL OUT OF
CLASS ASSIGNMENTS MUST BE TYPED, DOUBLE SPACED WITH A 10 OR 12 POINT FONT. ALL MARGINS SHOULD BE ONE INCH. MULTPLE PAGES MUST BE STAPLED. NO PAPERCLIPS OR DOG EARED PAPERS WILL
BE ACCEPTED. HANDWRITTEN PAPERS
WILL NOT BE ACCEPTED. LATE PAPERS WILL NOT BE ACCEPTED.
Class Schedule:
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DATES |
CH. |
SUBJECT(S) |
Assignments Due |
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1 |
Jan. 10 |
1 |
Overview - What do record co.s do for the artist… |
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2 |
Jan. 15 |
3, |
Defining
the Product: Pt. 1 |
Q: Do you need music? |
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3 |
Jan. 17 |
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Defining
the Product: Pt. 2 What are we selling? |
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4 |
Jan. 22 |
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Defining the Target Market: To whom are we
selling? |
Q. Product Definition |
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5 |
Jan. 24 |
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PROJECTS
DISTRIBUTED |
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6 |
Jan. 29 |
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Marketing
Budgets |
Target Market Definition Due |
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7 |
Jan. 31 |
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Price, Profit and Corporate Structures |
Q. Pricing |
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8 |
Feb. 5 |
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Marketing
Research: An introduction |
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9 |
Feb. 7 |
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Marketing
Research: The focus group session |
Q. Research & Focus Groups |
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10 |
Feb. 12 |
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GROUP WORK DAY |
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11 |
Feb. 14 |
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Radio
- what the charts mean |
Q. Charts and Radio |
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12 |
Feb. 19 |
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Radio
- how to get played |
Hit Men Quizzed Due |
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13 |
Feb. 21 |
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Publicity/
Media |
Radio Section Due |
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14 |
Feb. 26 |
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Publicity/
Media |
Q. Publicity |
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15 |
Feb. 28 |
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Advertising
– Broadcast |
Publicity/Media Section Due |
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16 |
Mar. 4 |
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Advertising
– Print |
Focus Group Reports Due |
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17 |
Mar. 6 |
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POP/Sales/Retailing |
Advertising Sections Due |
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18 |
Mar. 11 |
|
POP/Sales/Retailing |
|
|
19 |
Mar. 13 |
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GROUP
WORK DAY |
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20 |
Mar. 18 |
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POP/Sales/Retailing
- Paco and the NET |
POP,
Sales, & Dist. Due INDIVIDUAL POP PROJECTS DUE |
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Mar. 20 - 30 |
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EASTER BREAK |
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21 |
Apr. 1 |
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Internet - Promotion
and Distribution |
Q. Internet |
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22 |
Apr. 3 |
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VIDEO
–History and Terminology |
Internet Sections Due |
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23 |
Apr. 8 |
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VIDEO
– Production and Distribution |
Q.
Video History & Terms |
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24 |
Apr. 10 |
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GROUP WORK DAY |
Video Section Due |
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25 |
Apr. 15 |
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GROUP WORK DAY |
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26 |
Apr. 17 |
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GROUP WORK DAY |
PROJECTS
DUE - 1:00 p.m. |
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27 |
Apr. 22 |
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PROJECTS
RETURNED/GWD |
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28 |
Apr. 24 |
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PRESENTATION
TIPS/ GWD |
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29 |
Apr. 26 |
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PRESENTATIONS |
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30 |
Apr. 29 |
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PRESENTATIONS |
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