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Course # / Title: |
CRN 20312, AET 3190.01l, Audio Engineering II CRN 20338, AET 3190.02l, Audio Engineering II |
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Semester: |
Spring, 2008 |
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Instructor: |
Mr. Dan Wujcik, Instructor, B.S., M.M., Program Coordinator, AET |
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Instructor Contacts: |
(615) 460-5625, wujcikd@mail.belmont.edu |
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Instructor Office Hours: |
9:00-10:00am MWF, 11:00am-12:00pm TR – by appointment |
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Course Credit: |
3 hrs |
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Class Location: |
Center for Music Business, REMSB07 |
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Meeting Time(s): |
AET 3190.01 - 8:00 - 9:15am TR, LAB 11:00am-12:20pm MW AET 3190.02 - 9:30-10:45am TR, LAB 12:30am - 1:45pm MW |
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Final Written Exam: Final Practical Exam: |
Tuesday, April 29th, last day of class CRN 20312, AET 3190.01 - Thursday, May 1st, 8:00am CRN 20338, AET 3190.02 – Tuesday, May 6th, 8:00am |
Educational Objectives of the Mike Curb College of Entertainment & Music Business: 1) To provide a personalized, career-oriented and practical education that emphasizes leadership, innovation, private enterprise and entrepreneurship. 2) To equip students with the tools to think critically, communicate effectively, accept responsibility, make successful decisions, and prosper in diverse work environments. 3) To emphasize quality classroom instruction within the parameters of ethical Christian principles.
Course Description: AET 3190 Audio Engineering II (3) Prerequisite: AET 3090 and permission of instructor. A continuation of AET 3090, this course is an advanced study of the technical characteristics and performance of each component of the recording studio. Topics include advanced studio electronics and signal flow, computer-based digital recording and editing, analog and digital tape machine operations, automated console operations, condenser microphones, spatial signal processing, and the role of the audio engineer. The development of audio perception skills for recording engineers is emphasized. Lab hours required. ($30.00 course fee)
Course Learning Outcomes: Students will:
ú explain the function of specific components of the NEVE (Studio A), SSL (Studio B), and Toft (Studio C) consoles
ú associate the operation, location, and relationship of similar component functions between consoles
ú demonstrate satisfactory application of each console’s patchbay
ú demonstrate signal flow between multiple locations using the central patchbay tie lines
ú differentiate the location of specific studio A, B and C equipment in the central machine room
ú explain the need for, and demonstrate a satisfactory calibration of the Studer 827 analog tape machine
ú apply advanced miking techniques using condenser microphones
ú demonstrate operation of the Studer 827 analog tape machine, RADAR hard disk recorder, and ProTools HD system
ú perform basic audio synchronization
ú conduct an analog to digital, and digital to digital transfer of tracks
ú apply basic automation procedures using Flying Faders on the Neve console (Studio A), and Ultimation on the SSL console (Studio B)
ú demonstrate basic and advanced signal processing (spectrum and dynamic), through use of consoles and external devices available
ú demonstrate basic knowledge and use of delay, reverb, and spacial effects through use of hardware based external devices available
ú explore advanced mixing through the introduction of sound localization, spectrum, dynamic, and spatial processing techniques
ú satisfactory document and illustrate recording session information
ú learn and apply a technical language for use within the music business industry
ú assess quality of audio and recording techniques using critical listening
ú create two recording projects confirming the use of gained knowledge, required individual and group experiences, and synthesis of quality audio recording principles
Performance Criteria: The student should be able to:
ú locate respective audio recorders, CUE amps, console power supplies, automation fader motors, ELCO wall panel connectors, computers and audio interfaces for Studios A, B & C in the central machine room
ú know studio session procedures for securing microphones, stands, and supplies needed
ú dramatize session setups in Studio A (large), and Studio B (small)
ú label console channel strips identifying tracks and EFX with auxiliary assignments used
ú satisfactorily connect multi-track audio recorders using ELCO multi-pin harnesses
ú operate channel, monitor, and master section components of the NEVE, SSL, and TOFT consoles demonstrating advanced signal flow comprehension and application
ú establish CUE sends using the NEVE (Studio A), SSL (Studio B), and Toft (Studio C) consoles monitoring with headphones and at the console
ú know, repeat, and perform an accurate tape alignment calibration of the Studer 827 24 track tape machine including setting proper bias for type of tape used
ú conduct (6) recording sessions during the semester; (2) each: tracking, overdub, and mix for two projects implementing satisfactory operation of equipment used to date
ú express an accurate, advanced technical language
ú satisfactorily operate multi-track audio recorders and autolocators for the:
a. Studer 827 24 track analog tape machine
b. RADAR 24 track digital recorder
ú demonstrate ProTools as a multi-track tape machine by:
a. creating session files with tracks labeled (new or imported)
b. identifying sample and bit rate of audio files in folder
c. transferring tracks/files between formats
d. recording, managing, and creating backup files
e. transferring files over the network
ú perform (2) project transfers; analog to digital, and digital to digital, demonstrating use of:
a. ELCO transfer cabling
b. Network applications
c. Wordclock
d. SMPTE
ú practice basic automation using Flying Faders on the Neve console (Studio A), and Ultimation on the SSL console (Studio B)
ú understand and apply equalization techniques using console parameters (pre and post tape) and available outboard equipment
ú demonstrate satisfactory parameter settings and function of a compressor, limiter, gate, and expander by use of console DYN section and available outboard equipment
ú demonstrate advanced dynamic processing by creating external keying, ducking, and de-essing by use of console KEY/GATE and available outboard equipment
ú determine the accurate tempo of a song and calculate delay times in milliseconds
ú investigate the need to change basic parameter settings in reverb, delay, and special effect hardware found in the studio
ú demonstrate proper level setting of an effect send and return
ú create stereo mixes demonstrating the use of:
a. the HHB CD-R Burner
b. the Alesis Masterlink recorder
c. mixing to ProTools and/or Nuendo software
ú plan, organize, and submit approved documentation in (2) final project reports satisfactorily defining accurate recall of all session procedures
ú perform (2) practical examinations certifying accrued knowledge and skill level achieved
Honor Code: It is the responsibility of each student to abide by the Belmont University Honor Code. “In affirmation of the Belmont University Statement of Values, I pledge that I will not give or receive aid during examinations; I will not give or receive false or impermissible aid in course work, in the preparation of reports, or in any other type of work that is to be used by the instructor as the basis of my grade; I will not engage in any form of academic fraud. Furthermore, I will uphold my responsibility to see to it that others abide by the spirit and letter of this Honor Pledge.”
Accommodation of Disabilities: In compliance with Section 504 of the Rehabilitation Act and the Americans with Disabilities Act, Belmont University will provide reasonable accommodation of all medically documented disabilities. If you have a disability and would like the university to provide reasonable accommodations of the disability during this course, please notify the Office of the Dean of Students located in Beaman Student Life Center (460-6407) as soon as possible.
Course Requirements:
A. Attendance: Class attendance follows university policy as stated in the current Undergraduate Bulletin. Class participation is expected; strict attendance and absences in class and labs will be noted. http://www.belmont.edu/catalog/undergrad2006jun/apolicy/index.html
B. Materials: 1) Current edition of the Audio Engineering II Workbook (New Frontier Publishing). 2) Audio in Media (7th Ed.) by Stanley R. Alten (Wadsworth Publishing Co.). 3) Course handouts distributed in class and on class website (Blackboard). You are responsible for all information contained in the workbook and other readings assigned. Keeping a class notebook/binder and owning a three-hole puncher is highly recommended. 4) The following recording supplies are provided for you: a) 2-inch analog 24 track master tape b) (4) printable CD-R’s and c) hard disk space in studios A, B, & C. 5) You will need to provide: (a) (1) 3.5 inch 1.44 MB computer disk b) (1) DVD RAM disk for RADAR transfers ($7.00 from Mr. Prince) c) (2) blank CD-Rs for tracking mixes, and d) an external USB 2.0/firewire drive, or a USB flash drive for backups of your recording projects. Studio drives are periodically checked and cleaned. YOU are ultimately responsible for any lost files. Backup your material frequently. CDs are to be labeled using the Epson R200 printer and template(s) available on the desk lobby computer. Finally, you will need (2) «” binders and (2) boxes of clear sheet protectors for your project documentation reports.
C. Assignments: All students are expected to prepare and contribute to class discussions. Specific class activities, topics, worksheets, and reminders, are updated weekly using Blackboard. Additional class readings and website links are available on Blackboard as well. You are expected to complete readings and worksheets as assigned. Additional materials given via handouts and class lectures require an organized class notebook/binder. You are expected to:
D. Testing: Test dates are noted in the class schedule. Quizzes are unannounced. No makeup tests or quizzes will be given. No electronic devices of any kind may be used during exams. A midterm, two quizzes, two practical exams, and a written final will be given. Testing is comprehensive and includes all content and assigned reading to date. The final written exam is administered the last day of class. (2) Practical exams (competency based demonstrations of ability) are required; one during midterm, and the second, during the scheduled final exam time. This exam has a time limit. Each student will report individually at an assigned time. Practical exams may not be taken early, or during another class section.
Credit will be given for:
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Task |
Percent (%) |
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1. (2) Quizzes: written or practical (unannounced) |
6 |
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2. Midterm exam: written, practical & documentation |
18 |
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3. Worksheets |
6 |
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4. Final exam: written & practical |
22 |
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5. Recording projects (grade based on technical aspects, not the music or performance) |
20 |
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6. Labs |
13 |
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7. Assistant Sessions |
15 |
E. Basis of grade evaluation: Grading scale as per the current Undergraduate Bulletin.
http://www.belmont.edu/catalog/undergrad2006jun/apolicy/ap_as.html
A = 970-1000 B+ = 870-928 C+ = 770-799 D+ = 670-699 F = BELOW 600
A = 930-969 B = 830-869 C = 730-769 D = 630-669
A- = 900-929 B- = 800-829 C- = 700-729 D- = 600-629
An opportunity to earn extra credit in the amount of 5% added to your cumulative average is given during the semester.
Class Schedule Summary:
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Key Dates |
Activity |
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Jan 10 –Thurs |
Introduction |
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Jan 21 – Mon |
MLK HOLIDAY |
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Feb 26 – Tues |
Midterm Written Exam |
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Feb 28 – Thurs |
Midterm Practical Exam |
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Mar 4 – Tues |
Project 1 Due |
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Mar 20 - 30 R/S |
EASTER & SPRING BREAK!!! |
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Apr 22 - Tues |
Project 2 Due |
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Apr 29 - Tues |
Final Written Exam - Last Day of Class |
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May 1 - Thurs |
Final Practical Exam Section .01 8:00am |
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May 6 – Tues |
Final Practical Exam Section .02 8:00am |
Lab Schedule:
CRN 20312, AET 3190.01 - 8:00 - 9:15am TR, LAB 11:00am-12:20pm MW
CRN 20338, AET 3190.02 - 9:30-10:45am TR, LAB 12:30am - 1:45pm MW