Curb College Syllabus Templet

BELMONT UNIVERSITY

MIKE CURB COLLEGE OF ENTERTAINMENT AND MUSIC BUSINESS

COURSE SYLLABUS

Course #/Title/Credit: AET 4400 Post Production Techniques. 3 Hrs.

Semester: Fall 2007 Class Location: The C room of Ocean Way Studios – Nashville

Meeting Time: T 2:30-5:00 PM Final Exam: Thursday, 6 December 2007 @ 2:00 PM

Instructor: Mr. Ken Landers

Contacts: Phone: (615) 460-6174 Email: landersk@mail.belmont.edu

Glenda Cones, Studio Manager, Ocean Way Nashville (615) 320-3900 Email: conesg@mail.belmont.edu

Jessica Garey – Receptionist/Scheduling, Ocean Way (615) 320-2900 Email: gareyj@mail.belmont.edu

COURSE DESCRIPTION:

Prerequisites: AET 3090, AET 3190, and permission of instructor. Application of audio/studio technology in the production of video sound design, CD mastering, and post-mix / re-mix sweetening techniques used in music production.

LEARNING OUTCOMES:

In this course, students will:

Understand the development of sound for picture technology and the requisite techniques and workflows.
Understand the usage of the digital audio workstation in modern sound for picture methodology.
Apply their knowledge of digital audio workstations in music and film production.
Comprehend and apply traditional and modern techniques of sound design, foley, automated dialogue replacement, music editing, and film & television mixing.
Analyze motion pictures, television shows, and video games for their audio content and identify techniques used.
Synthesize and apply knowledge gained from lectures, readings, and assignment to large-scale class projects.

PERFORMANCE CRITERIA:

The students will:

Write three analyses of sound techniques used in representative film, television, and video game segments.
Interview a professional working in the fields encompassed in audio post-production for picture.
Complete two personal music projects demonstrating their proficiency with the Pro Tools digital audio workstation.
Complete a large-scale class project where audio is created, edited, and mixed for a segment from a motion picture or television show.

GOALS OF THE MIKE CURB COLLEGE OF ENTERTAINMENT AND MUSIC BUSINESS:

The following objectives will be applied toward course completion:

· To provide a personalized, career-oriented and practical education that emphasizes leadership, innovation, private enterprise, and entrepreneurship.

To equip students with the tools to think critically, communicate effectively, accept responsibility, make successful decisions, and prosper in diverse work environments.
To emphasize quality classroom instruction within the parameters of ethical Christian principles.

HONOR CODE: It is the responsibility of each student to abide by the Belmont University Honor Code.

“In affirmation of the Belmont University Statement of Values, I pledge that I will not give or receive aid during examinations; I will not give or receive false or impermissible aid in course work, in the preparation of reports, or in any other type of work that is to be used by the instructor as the basis of my grade; I will not engage in any form of academic fraud. Furthermore, I will uphold my responsibility to see to it that others abide by the spirit and letter of this Honor Pledge.”

COURSE REQUIREMENTS:

1. Attendance: As per the current Undergraduate Bulletin. Students are encouraged to attend all class sessions. This class moves very fast and covers lots of material. There will be no make-up exams given. If a student has an excused absence (official notice from the provost) and misses an exam, the other exam grades will be averaged without that test.

2. Materials:

a. Textbook(s)

i. Audio In Media, 8^th Edition by Stanley Alten. Wadsworth 2007.

ii. Sound for Film and Television, 2^nd Edition by Thomlinson Holman. Focal Press 2001.

iii. Practical Art of Motion Picture Sound, 3^rd Edition by David Yewdall. Focal Press 2007.

iv. Digidesign Pro Tools 7.2 Reference Guide – free download from http://www.digidesign.com.

1. You will have to create a myDigi account – free. Download Pro Tools 7.2 Mac OS X or Win XP documentation. You will get an installer for your system that is OS X or XP specific. Remember that our class will be based on an OS X system, the XP installer may be XP centric only- I don’t know, I do not have an XP system to check this documentation on. Documentation is available on the OWN-C system as well.

v. Dolby Surround Mixing Manual (part no. 91536, issue no. 2) – free download from http://www.dolby.com/assets/pdf/tech_library/44_SuroundMixing.pdf

vi. (Optional - highly recommended) 5.1 Surround Sound: Up and Running by Thomlinson Holman. Focal Press 1999. This is a terrific guide to surround sound from one of the renowned masters of motion picture surround. If you don’t purchase this book, I suggest checking it out of the Belmont library for the readings.

vii. Occasional readings through Blackboard, online, or on reserve in the library.

b. CD-Rs and DVD-Rs as needed (for backup and turning in projects)

c. Web Access. Students will be required to access various informational sources on the internet. Blackboard access (via BIC) is also necessary.

d. (Optional – but suggested) A Firewire/IEEE-1394 drive (7200 rpm or better) will allow project portability and speedy methods of backup. Mac (OS X) formatted drives will connect with no problems, Windows formatted drives require certain methods be used. See the instructor before connecting a Windows-formatted drive to the Pro Tools system.

3. Participation and Prepared Assignments:

a. Participation. Students must be prepared for class and involved in class discussions. Of course, you do have to be present to be involved!

b. Edit Project. (Solo) An introductory project introducing students to editing on ProTools. This will be a stereo edit of a mix, edited for time. Students will edit a selected song and create a cohesive edit of a specified length. Project will be bounced to disk and turned in on an audio CD as well as a data CD containing all session data and audio files. Students will have 3 hours of studio time for this project.

c. Mix Project. (Solo) Students will be provided with raw mix files. Using these files students will arrange and mix the song. Students will use editing techniques, plug-ins, automated mixing, and will integrate analog processing into the Pro Tools mix. A bounced project mix will be turned in on an audio CD and the entire project will be turned in on the class drive in a properly labeled and arranged file.

d. Class Project. Students, working as a “mock” audio post company, will replace all audio on a 4-7 minute segment of a movie or television release. This includes all dialogue, live sound effects, designed effects, ambiance beds, and music. Professionalism throughout the project is required. Students will turn in synchronized audio for supplied video with full documentation of the project. Students will follow standard industry practices and conventions.

e. Television Sound Analysis. (Solo) Students will choose a scene from a television show (current or on DVD) and breakdown the scene according to sound effects, music, & dialogue. Students will chart the sound on a time line (a cue chart or “binkey”) and document their cue chart with no less than two typewritten pages. Be certain to document those involved in the sound work analyzed.

f. Movie Sound Analysis. (Solo) Students will choose a scene from a movie (on DVD) and analyze the scene according to sound effects, music, & dialogue. Students will chart the sound on a time line (a cue chart or “binkey”) and document their cue chart with no less than two typewritten pages. Be certain to document those involved in the sound work analyzed.

g. Post Interview. (Solo) Students will contact and interview a professional working in audio post for film or video. The interview will be turned in typed in a standard interview format. The interview shall be no less than 15 questions and be intelligent and well planned. Developing a familiarity with the interviewee’s work prior to the interview is highly recommended. Students will also turn in any unedited recordings (audio and/or video) made during the interview as well. See magazines such as EQ, Mix, and Electronic Musician for examples of properly formatted interviews in this genre.

4. Testing:

a. Exam 1 – 30 January 2007

b. Exam 2 – 27 February 2007

c. Exam 3 – 10 April 2007

d. Final Exam – 8 May 2007 @ 2:00 PM

“Pop” or surprise quizzes can be given at the discretion of the instructor. Be prepared for them at any time. Pop quizzes (if given) will be averaged into the exams grade. Pop quizzes will be worth no more than 5% of the total grade.

5. Basis of grade evaluation: Grading scale as per the current Undergraduate Bulletin.

a. Item Credit

i. Attendance/Participation 10%

ii. Exams 40%

iii. Music Editing & Mix Projects 20%

iv. Class Project 20%

v. Papers 10%

b. Total Percentages = 100%

6. Class Schedule: Readings are to be read before the class meeting! (With the obvious exception of the readings for the first class meeting!)

Date	Class Topic	Readings	Assignments
28 Aug	Class Intro; History of DAWs; Pro Tools Intro	PA Ch. 17 PTG Ch. 2 - 4, 6 – 8	Edit Project Assigned.
4 Sept	Advanced Editing – Pro Tools Mixing	PTG Ch. 15 – 20, 26 – 28
11 Sept	Exam 1 – DAWs - Pro Tools History/How it works - Film Audio	PTG Ch. 9 – 14; SFT Appendix I & III	Edit Project Due.
18 Sept	History/How it works - Television Audio	PA Ch. 20
25 Sept	History/How it works - Surround Sound	PA Ch. 7 - 9; PTG Ch. 29 – 33; DSMM Ch. 2 & 4 (Optional SS Ch. 2, 5)
2 Oct	Location Synchronization; Assets Management – Project Management	AiM Ch. 7; PA Ch. 4 & 11; SFT Ch. 6-8	Mix Project Due.
9 Oct	Exam 2 – Film & Television, Assets & Project Management Techniques for Location Recording (Dialogue)	PA Ch. 5 & 6; SFT Ch. 4 & 5 (Optional: SS Ch. 3)	Television Sound Analysis Due. Start Class Project.
16 Oct	Techniques for Location Recording (Effects)	PA Ch. 10; PTG Ch. 33 – 35
23 Oct	Automated Dialogue Replacement	AiM Ch. 10-11; PA Ch. 14 –15
30 Oct	Sound Design Techniques	AiM Ch. 15; PA Ch. 12 & 13
6 Nov	Foley Techniques	PA Ch. 16	Movie Sound Analysis Due.
13 Nov	Exam 3 – Audio Techniques Music Recording	PA Ch. 18
20 Nov	Mixing Dialogue & Effects	AiM Ch. 18-19; PA Ch. 19; DSMM Ch. 5-6 (Optional SS Ch 4 & 6)	Post Interview Due.
27 Nov	Music Mixing & Editing for Film	AiM Ch. 13 & 17
4 Nov	Video Games and New Media	SFT Ch. 10 – 11; DSMM Ch. 7	Class Project Due.
6 Dec	Final Exam – Covers Entire Class

AiM = Audio In Media 7^th Ed.

SFT = Sound for Film & Television

PA = Practical Art of Motion Picture Sound

PTG = Digidesign Pro Tools Reference Guide v7.0

DSMM = Dolby Surround Mixing Manual

SS = 5.1 Surround Sound: Up & Running (Optional)

ACCOMMODATION OF DISABILITIES:

In compliance with Section 504 of the Rehabilitation Act and the Americans with Disabilities Act, Belmont University will provide reasonable accommodation of all medically documented disabilities. If you have a disability and would like the university to provide reasonable accommodations of the disability during this course, please notify the Office of the Dean of Students located in Beaman Student Life Center (460-6407) as soon as possible.