Belmont University
NashvilleTennessee

HONORS 1220/1225
The Middle Ages
Fall 2009

 

Dr. Joseph Byrne, Honors Program

Office phone: 615-460-5418

Honors House, Second Floor

Office hours: MF 10-10:45; TTh 1:00-1:45

byrnej@mail.belmont.ed

 and by appointment; none on Wednesdays


 


Student Art Powerpoint Directory 


 

Required readings

Course of the course

Grading

Road Rules

Projects

Portfolio

 

Welcome to the study of the medieval period of our shared history. The western world after the breakdown of Roman hegemony and before its expansion into global influence and hegemony is a wondrous place of great contradictions and the seedbed of the modern world. Violence and contemplation, faith and superstition, squalor and magnificence, ignorance and flights of intellectual brilliance existed side by side. It was the Dark Age, the Age of Faith, the Age of Crusade, Castle and Cathedral. From humble beginnings grew the origins of modern representative government, universities, languages and literatures, science and philosophies. In this course we will examine broadly these developments, and the voices of those who participated in and reflected upon them. This is a study of medieval humanities: that which Western humans have wrought over the millenium from A.D. 400 to 1400 or so.

This is a course that emphasizes reading, reflection and discussion, punctuated with a series of projects that will take you deeper into the period than can be afforded by our reading and my presentations. As with any good honors course, this is an "essay" in the sense of the French root of the word. Just as I hope that you will remain open to the experiences and endeavors that I have planned, I assure you that I will remain open to reasonable suggestions for modifications as we proceed.

Honors courses should not only hone skills and stretch the mind, but also provide students opportunities to explore and develop their broader social, intellectual and spiritual selves. To these ends I hope that you find me to be supportive and encouraging of your critical and creative selves, your communicating self and your reflective self. I hope to foster leadership and team-working opportunities, and present you with tasks that will challenge your academic self-discipline, allowing you to grow as a student and a person. The Bible’s Book of Proverbs bids us "incline your ear to wisdom and apply thine heart to understanding:" our teachers this term are many and often great, let us incline, apply, question, challenge and learn.

 


 

REQUIRED READING

Primary Sources
Music CD: Discover Early Music (Naxos 8.558170-71)

Early Middle Ages:

    Boethius, Consolation of Philosophy, Dover Books
    St. Augustine, Confessions, Dover Books
    The KoranEveryman
    Bede, The Ecclesiastical History of EnglandPenguin
    Meehan, The Book of KellsThames and Hudson
    Crossley-Holland, The Anglo-Saxon WorldOxford University Press

High Middle Ages:
    The Song of Roland, Dover Books
   Gottfried von StrassburgRomance of TristanPenguin Books
   Dante Alighieri, The Inferno, Mentor Books

Later Middle Ages:
    Margery Kempe, The Book of Margery KempeTriumph Classics
    Geoffrey Chaucer, The Canterbury Tales, Wordsworth
    Everyman and Medieval Miracle Plays, Everyman

Secondary Sources
    Fiero, The Humanistic Tradition,Volume 1, 5th ed.
    Bouchard, Strong of Body, Brave & Noble,Cornell U.P.
    Norman, The House of God, Thames and Hudson
    Nicolle, The Crusades, Osprey

 


 

COURSE OF THE COURSE


LATE ANTIQUITY

AUGUST
27       
The Jesus Movement
               [New Testament: “Gospel of Matthew” (any version) or at http://etext.virginia.edu/toc/modeng/public/RsvMatt.html.  Also, the following
                  excerpts:
]
28        The Late Roman Empire: Problems and Prospects
               [IMS: Salvian, “The Burden of Taxation;” Jordanes, History of the Goths,Ch. 20; Ammianus, History, XIV.16;
                Elton on Rome's fall]           

*****
31   
   Roman Christianity: From Cult to Catholic
                [IMS: Porphyry, “Against the Christians;” Diocletian, “Edicts of Persecution; Perpetua, "The Passion...203,” excerpts;  Eusebius,
                 Ecclesiastical History: “Conversion of Constantine;” "Edict of Milan"; Fiero: 177-86]
                 See these sites on art:
Sarcophagi, Dura Europas, Artworks
SEPTEMBER
  1        Roman Christianity: Structures and Beliefs
               
[IMS: The Nicene Creed; Tertullian on Pagan Learning; Jerome on Classical Literature; (Roman Church) Biblical Proof texts;
                   Gelasius, "On the Two Powers;" Leo I, "On the Petrine Doctrine"] Fiero: 196-202; Norman, Chapter 1]
                   See also these sites on early churches: centrally planned; basilicas.
  3        Boethius: at the Crossroads
 
               [Consolation of Philosophy, Intro and Chapters 1 & 2]

  4        Boethius: Foundations of Medieval Philosophy
                [Consolation of Philosophy, Chapters 3-5]
*****

         Labor Day
  8        Religion and Philosophy in the Empire: Neoplatonism

                ["Neoplatonism" at New Advent: http://www.newadvent.org/cathen/10742b.htm; Timaeus readings]
10        Augustine of Hippo: The Man and his Time
               
[Confessions, Books 1-8: his Conversion from paganism to Christianity; Fiero: 193-95]
11        The Augustinian Synthesis
                [Confessions, Books 9 and 10]
 

THE EARLY MIDDLE AGES

14        Accommodation, Conflict, and Assimilation
                [IMS:Tacitus, Germania to section title "Their Children. Laws of Succession"; Fiero: 244]
15        Monasticism East and West

                [Fiero: 192-93; Norman, Chapter 3. IMS: Rule of Benedict excerpts; Rule of St. Columba]
17        The Byzantine Empire: Survival in the East
               
[Fiero: 202-09]
18         The Arts in the Byzantine World: Justinian's Constantinople
                [From this website study pages 6 and 12-18; Norman, Chapter 2]
***** 
21        Muhammad and the Religion of Submission

                [Koran, selections; Fiero: 219-27]
22        Islam and Western Culture
24        Centers of Medieval Muslim Culture: Early Baghdad
                [Fiero: 227-39]
25        Islam's Spread from Gibraltar to the Himalayas: Tenth-Century Cordoba
                [Fiero: 224-27]
***** 
28     First Celebration of Knowledge
29        Britain and Anglo-Saxon England
                [Bede, selections]
OCTOBER

  1        Christianity in Early England
               
[Bede, selections]
  2        Early Christian Ireland
               
[Meehan, Book of Kells]
***** 
 
5        Anglo Saxon Prose and Poetry
                 
[Crossley Holland, selections]
  6        Anglo Saxon Heroic Epic: Beowulf
                 
[in Crossley Holland]

  8        Anglo-Saxon Art
                  [Fiero: 246-48]

  9        The Early Germanic Kingdoms
                
[IMS: (Early Germans) The Conversion of Clovis: 2 Accounts; Law of the Salian Franks; Dagobert, Grant of an Estate;
                 (Carolingians) Arabs, Franks and the Battle...; Donation of Pepin; Fiero: 244-48]

*****
12        Building Charlemagne's Empire
                 
[IMS: Einhard's Life of Charlemagne]
13        The Carolingian Renaissance
                  [Fiero: 248-250, 290-91]
15-16   FALL BREAK
***** 
19        Vikings
20        Feudalism and Manorialism
                
[Fiero: 250-52, 255-58]

THE HIGH MIDDLE AGES 

22        Normans
                [Song of Roland; Fiero: 254-55]
23        Crusades I
                [Nicolle, pp. 7-54 ; Fiero: 258]
*****  
26        Crusades II

                [Nicolle, pp. 55-88]
27        The Reality of Chivalry
                [Bouchard, pp. 1-145]
29        The Idealism of Chivalry Tristan and Isolde
                [Tristan,selections]
30        The Culture of Chivalry and Courtly Love
                [Fiero: 258-264]
***** 

NOVEMBER
  2     Second Celebration of Knowledge
  3        Urban Renaissance
                 [Fiero: 264-65]
  5        France and England
  6        Church and Society I
                [Bouchard, Chapter 5; Fiero: 267-71, 284-86]
***** 
  9        Church and Society II
10        Philosophy I: Anselm and Abelard

                [Fiero: 286-89]
12        Philosophy II: Aquinas and the Revival of Aristotle
13        Education

                [Fiero: 286-87]
***** 
16        Romanesque: The Revival of Monumental Building
                 [Norman, Chapter 4; Fiero: 291-97]
17        The Gothic Impulse: The Early Gothic in France and England
               
[Norman, Chapter 5; Fiero: 297-308 ]
19        The Gothic World:
                [Fiero: 308-11]
20        Dante's Cosmos
                [Fiero: 278-80]
***** 
23        Dante in Hell
24        The Salvation of Dante
                [Fiero: 284]
25-29    THANKSGIVING BREAK
***** 

30       Chaucer's World
                [Fiero: 349-60; Canterbury Tales, "Prologue" in Middle English]
DECEMBER
  1       Chaucer
               
[Canterbury Tales, selections]
  3       Contours in Medieval Music
               
[Fiero: 209, 238-39, 262-64, 312-14, 365-68]
  4       Drama
               
[Fiero: 271; Everyman, selections]
***** 
  7        Late Gothic Art
                [Fiero: 308-11]
  8        Margery Kempe
               
[Book of Margery Kempe, selections]
  9     DEAD DAY
10     EXAMS [see below]
11     EXAMS [see below]

 

Final Examinations

You may take the two exams on the same day or on two separate days. You should allow one hour for each exam. You may skip a 9:00 exam hour and take an exam at 10:00. I will ask you to sign up for your two periods about a week before the exams, to insure against classroom overcrowding. Exams will begin promptly on each hour: if you arrive after the hour has begun, you will have what is left of it to complete the exam, and no more. You must take the last midterm before the final essay. Note: no exams on Friday.

                                  Exam Periods:

Thursday

Dec. 10

11-1:00; 2-4:00

Friday

Dec. 11

8:00-11:00

 


 

 

GRADING DISTRIBUTION

  Course Section:

   Celebrations of Knowledge

45%

   Centers of Civilization Project

10

   Written work and quizzes

15

   Class Participation

15

   Music Video Project

10

   Individual Art Project

  5

 

100%

 

 

ROAD RULES

THE BELMONT HONOR CODE
BelmontUniversity has recently adopted a code of honor that is to be accepted and implemented by all students and faculty. This course accepts this code in both spirit and letter, emphasizing personal responsibility and respect for the dignity of each of us. I will personally look into any apparent breaches of the code relevant to this course, and will seek to resolve matters of discipline or sanction personally. Failing that, I will bring the full force of the Code to bear.

ATTENDANCE
I take attendance every day. You are allowed four absences. Every absence beyond four lowers your final grade in the course section by a whole letter. If you miss five classes, the highest grade you can earn is "B"; with six "C", and so forth. I do not recognize "excused" or "unexcused" absences, only the total number of missed classes for each student. Pre-scheduled university-sponsored events such as music or athletic performances or required field-trips are not counted as missed classes. Perfect attendance (includes no late arrivals) will be rewarded by raising your lowest intra-term exam score by 25%. Late arrival to class is discouraged in the strongest terms. I consider it a material disruption of the class and a sign of disrespect for the class as a whole. Arrival after I have taken roll is considered late. Two late arrivals constitute a missed class period. I will inquire into any late arrivals, and will seek to end and/or sanction any pattern of avoidable late arrival at my discretion.
Laptop computers may not be used in class unless for student presentation.

EVALUATION AND GRADING
Though we are in two courses, you will receive the same final grade for the course section and the lab section. Your lab grade is partially dependent on your participation in class sessions, especially on Tuesdays and Thursdays. This includes asking and answering questions and participating in class discussions. Attendance is not calculated in to this grade.

A final grade of A in either sections will reflect outstanding performance on your part; clear and consistent application of effort; consistent preparation of all required materials; apparent thoughtfulness and mastery of the readings and presentations, and clear contributions to our collective learning through our projects.

A final grade of B will reflect a high level of performance on your part; clearly apparent if sporadic application of great effort; generally acceptable level of preparation of most required materials; evidence of some reflection on and knowledge of the readings and presentations, and apparent and undisputed contributions to course projects.

A final grade of C will reflect evidence of an adequate level of performance, desultory effort and mixed levels of preparation; evidence of engagement with the readings and presentations, and an effort to contribute to the course projects. No make-up or extra-credit work is possible beyond that listed in this document.

LATE PAPERS OR PROJECTS WILL NOT BE ACCEPTED. ALL ARE DUE AT THE BEGINNING OF THE ASSIGNED CLASS PERIOD. PERIOD. IF YOU ARE LATE, YOUR WORK IS LATE, AND THEREFORE UNACCEPTABLE.

REQUIRED READINGS
This course is structured around an admittedly heavy dose of required readings from primary and secondary sources, which are outlined specifically in this syllabus. You are responsible for having access to these. Whether you choose recommended editions or others is up to you, but meshing your edition with the assignments is your job.

On the days indicated you should have prepared the reading by reading and notetaking and responding to whatever guides I provide. I will expect that you have completed the reading assignment, which may run to over a hundred pages. You should, therefore, scope out each week’s reading and provide ample time to complete all reading. Writing assignments and guides regarding the reading will be handed out several days in advance. The more carefully and fully you annotate your reading while you are doing it, the less review you will have to do later. This is especially important if you do the reading earlier than the night before it is due. On evenings before discussions I will be available at home via e-mail for suggestions or questions or ideas about the next day’s discussion. I encourage such contact, even though we do meet every weekday. Your input will help me fashion a more responsive and meaningful class discussion.

I will take both written and mental notes on the course of discussions, and part of your grade will reflect your participation and apparent preparation. I may use short exercises or quizzes at the beginning of class to evaluate your preparation or understanding. In some cases you will begin or end classes with small group discussions, and these may be subject to evaluation. More formal written responses (both formal essays and informal responses akin to journal entries) will be required from time to time and will be graded. Although I heartily encourage discussion outside of class of the materials and guides I provide, I do expect and require only independent individual effort on written assignments that are to be turned in for credit.

I highly suggest reading with a dictionary readily at hand, and using it as needed; I hope that you consider this a wonderful opportunity to develop your vocabulary, both passive and active.

EXAMINATIONS
You will have two intra-term exams of 50 minutes each, as scheduled, and a two-part final exam. These exams are worth 10, 10, 10, and 15% of your final grade respectively.  The intra-term exams and Part I of the Final will be combinations of objective and subjective questions. All of these exams will follow the same format. Part II of the Final will be a more reflective and subjective essay written over an hour during the final exam period. For the final you may – classroom space permitting – schedule your Parts I and II during any combination of exam periods to allow you the greatest flexibility and comfort in preparing for and taking the exams.

 

 

Your Course Portfolio

As you know from your experience in Dr. Thorndike’s course, the Honors Program is always seeking to create more effective ways to evaluate and present the result of our students’ (and our own!) work in progress. The course portfolio is one way in which you can display in an efficient manner a range of your own efforts that document your progress through the course. Unlike that for Dr. Thorndike, our portfolios will contain a range of documentation, as listed below. I will ask you to bring these to your final exam, and I will get them back to you next Fall, or over the summer as I can. To complete the course you must turn in a COMPLETE portfolio (or risk an incomplete), but the portfolio itself is not specifically graded. Most of its contents are class assignments. I will share these with colleagues as I deem appropriate.

Format:
You will place the following set of materials into a one-inch wide ring binder, with a table of contents at the beginning. It is yours, so make it attractive and creative.

Contents:

Exams: a copy of each (I will include your final);

Art PowerPoint hard copy;

Journal for Music Video and Centers of Civilization project;

Music Video Reflection paper;

Your Choice of three other papers or quizzes from the course;

A Reflective Essay of 2-3 pages that conveys to the reader some sense of the value of the course to your intellectual development. It should highlight the way(s) that you see yourself developing (intellectually, artistically, socially, spiritually, etc.) through this course, citing the documentary evidence (your stuff) as indications or proof of your progress. You may choose to pick a theme or specific subject on which to focus. I will be happy to discuss these with you individually as they develop. Because this is a rather evaluative statement that might (in fact should) reflect your feelings for the course – and not be anonymous – I will not read these until after I have assigned and turned in my grades for the courses. I will NOT, HOWEVER, turn in your final grades until I have received your portfolio.